Art Cubed
Star Moxley isn’t just thinking outside the box; she’s thinking in, around, on and beyond it. As the centerpiece of Moxley’s six-month-long residency in the 8th Street Marketplace, the box has undergone dramatic transformations. From month to month, we’ve watched as intricately gilded designs harshened under intentional applications of charcoal, dirt and alcohol. Tumbleweeds blew through, as a circus then became a throne, became a music box, became and changed again.
The temporal nature of Moxley’s installations is accentuated by the themes explored in each intuitively assembled environment. By often mixing organic elements, such as seeds, with wire-framed and cloth-wrapped human forms, Moxley draws your thoughts toward the passage of life. A live plant sprouting from an arid space might symbolize hope and, again, change.
“A picture is not thought out and settled beforehand. While it is being done it changes as one’s thoughts change. And when it is finished, it still goes on changing, according to the state of mind of whoever is looking at it. A picture lives a life like a living creature, undergoing the changes imposed on us by our life from day to day. This is natural enough, as the picture lives only through the man who is looking at it.”
-Pablo Picasso, in a conversation with Christian Zervos, 1935
One might amend Picasso’s statement to say that a picture also lives through the person who is remembering it. Although each installation itself lives a short life, its effect and subsequent memory are potentially enduring. Moxley’s work has evoked strong emotional reactions, especially to installations particularly dealing with death.
She explains, “It’s more about involvement and receptivity. Obviously, I don’t just do it for myself. I do rely on response and affecting people on some level. I feel good if I’ve brought something up from the deep. It’s not necessarily my intention for it to be sad, but it’s just about the process and marking life.”
Page 1 of 2 | Next page